Title: King Spawn #1 Publisher: Image Comics Release date: August 25, 2021
Congratulations to comic artist and uber-entrepreneur Todd McFarlane on achieving a landmark launch with the first issue of King Spawn. With nearly a half-million comic retailer pre-orders to date, this Image Comics title becomes the single highest selling new superhero monthly in 25 years.
DC Collectibles has been adding to their Gotham City Garage statue series over the last few years and showcasing them at Toy Fair and Comic Con. SkeletonPete knew I’d fall in love with them. He knows me too well. I was instantly drawn to these gorgeous sculptures, these beautiful superwomen on motorcycles, in particular, Wonder Woman, my childhood hero.
When I saw these DC heroines reimagined as fierce biker chicks, I could instantly envision a live action or animated series set in this universe. Shortly thereafter, creators Jackson Lanzing and Collin Kelly announced their plan for a comic book series of the same name. I couldn’t wait to dive in and that’s unusual for me, as I’m not typically a comic book collector. Well played, DC. Mission accomplished. You reeled me in… and at 99 cents per digital download, it was an investment I was more than happy to make.
Popular Skullture: The Skull Motif in Pulps, Paperbacks and Comics
Monte Beauchamp, Editor and Designer
Forward by Steven Heller
Release Date: November 05, 2014
Format: Full Color, 176 pages; Hard Cover, 5 3/8″ x 7 3/4″
It’s a clear no-brainer (ahem!) for SkeletonPete to LOVE Popular Skullture a new book from Dark Horse Comics’ Kitchen Sink imprint. Set for release on November 5, 2014 – just a smidgen past Halloween and Dia De Los Muertes – this compendium packs scads of illustrations of creepy crania between its covers.
Steven Heller’s introduction tracks the historical context of skull imagery and Editor Monte Beauchamp’s preface recounts the genesis of the project. Beauchamp also gives readers a study of each style of book (comics, pulps and paperbacks) the images are derived from. He lists publishers, publication dates, and artists where they are known.
The book is a fun visual roller-coaster with dozens of artists works from 1930’s-1950’s represented. The cover styles run from the subtle to gobsmacking.
It’s particularly interesting to see covers from early 1950’s EC comics competitors like Farrell Publications, Superior,AGC and others. One can imagine newsstands filled with these lurid enticements as the catalyst for government pressure and the ultimate formation the comics industry’s self regulatory code. We encounter a skull faced Cleopatra on the cover of VooDoo #8 (April 1953), Haunted Thrills #6 sports a top hat wearing skull tossing “snake-eyes” on a pair of dice (right up my alley), while another favorite, Superior’s Strange Mysteries #12 (July 1953), features pallbearer skeletons dragging a coffin from the mouth of a gigantic skull.
On the classier side, the skull and rose art for Ian Fleming’s James Bond novel Goldfinger (1959,) female skull and orchid motif on the 1944 Avon paperback edition of Raymond Chandler’s The Big Sleep and George Rosen’s painting of a nattily clad cadaver fronting the July 1942 issue of The Shadow are beautifully rendered revelations. SkeletonPete Says..
If boney brain boxes are your thing or you’re looking for inspiration for that next tattoo or band logo, collect pulp illustration, this full color title will suit you just fine. $19.99 puts this hardcover on your bookshelf.
If you are looking for even more skull-tural edification I suggest Dover Publications recent A Century of Skeletons. Published to commemorate the 100th anniversary of the passing of José Guadalupe Posada, Mexico’s preeminant artist of the calavera, it makes a great visual companion to Popular Skullture.