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Andy Says Books & Graphic Novels Film & Television Series

Serenity Soars Again in Dark Horse Comics’ “Serenity: Leaves on the Wind”

 

 

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(Editor’s Note: Welcome back Adriana “Andy” Melendez for a look at this just launched Dark Horse Series.)

“You are a leaf driven by the wind.” – Herne the Hunter (Robin of Sherwood)

“I am a leaf on the wind… watch how I soar.” –  Hoban Washburne (Firefly)

It’s fitting for me to link two of my favorite series together via the above quotes. Both are about a misfit band of outlaws on the run. Though not always merry, you can burn the land and boil the sea, but you can’t can’t keep a good ship down.

 

What it Is…

That’s right, Mal and the crew from Joss Whedon’s space western, Firefly (which ran on Fox from 2002-2003) make their welcome return in the form of new adventures from Dark Horse Comics.

For those who are a bit fuzzy on the details, here’s a recap. Firefly/Serenity is set in the 26th century across hundreds of moons which have been terraformed to become New Earths, capable of sustaining life. Human settlements colonized these moons, as it would appear our Earth could no longer sustain life.

In this future, two super-powers emerged, fusing to become one central government – The Alliance. Think more in terms of the Peacekeepers (Farscape) and less like the Federation (Star Trek). Sadly, this brave new world looks a lot like our old one, with huge gaps between the rich and the poor, and many struggling to survive. This new world order, and the fight for independence from tyrannical government control, is where our 26th century Robin Hood comes in.

Firefly follows the exploits of Captain Malcolm “Mal” Reynolds (former soldier turned smuggler, played in the series by Nathan Fillion – One Life to Live, Castle) and his crew — his second in command Zoe (Gina Torres – Xena, Angel, Cleopatra 2525), her husband and Serenity’s pilot, Hoban “Wash” Washburne  (Alan Tudyk – Dollhouse), ship’s engineer Kaylee (Jewel Staite – Stargate Atlantis), hired gun Jayne Cobb (Adam Baldwin – My Bodyguard, Full Metal Jacket), and four passengers — Shepherd Derrial Book (Ron Glass – Barney Miller), Inara Serra (Morena Bacarrin – V, Homeland) – a companion (think high-class escort), and a brother and sister with secrets of their own.

When Mal picks up Dr. Simon Tam (played by Sean Maher – Warehouse 13, Arrow) and his mentally-unstable, younger sister River (Summer Glau – The 4400, Sarah Connor Chronicles), things really start to go wrong. Truth be told, you can say Mal wasn’t exactly born under a lucky star, having been on the losing side of the War for Independence (the Browncoats’ attempt to rebel against Alliance control). The decorated war vet was forced into a life of crime. A small price to pay for his freedom from the Alliance, he reckoned. Until they came after River…

Child prodigy River Tam was the subject of cruel government experiments, which had permanently altered her brain. The unpredictable outcome of these experiments left River fractured, an open, raw nerve, incapable of governing her own emotions and vulnerable to the thoughts and emotions of others.

No one could foresee how powerful River would become in the process. Her gift of intuition evolved into powerful psychic powers (empathy, telepathy, mind reading). River also picked up the ability to acquire (or absorb) additional skills with little or no effort, including hand-to-hand combat and deadly accurate aim with a gun. She’d become the ultimate weapon — making her quite valuable to some and quite dangerous to others.


Where We Left Off…

When we last saw our heroes (on the big screen almost a decade ago), they were running from the Alliance and bounty hunters — all after River. In the process, they uncover the Alliance’s darkest secret — their role in the deaths of countless millions on the planet of Miranda.

An attempt by the government to chemically pacify the population on the colony of Miranda goes horribly wrong. The inhabitants become peaceful to the point of complete indolence, killing almost all of them — all except for a small number. The experimental drugs triggered psychotic behavior in the remaining colonists. No longer human, now savage cannibals known as the Reavers, they’ve gone on to terrorize the outer planets.

If your quarry goes to ground, leave no ground to go to.

The crew of Serenity go to great lengths, at great cost, to reveal this secret, sending a transmission that reaches across the galaxy, but not before losing two of their own. Former crew member, Shepherd Book, is murdered for offering his friends shelter, and after leaving Miranda, Serenity’s pilot, Wash, is impaled by a Reaver harpoon.

I shed quite a few tears that day. I kept hoping for a happier ending…
The Outlaws Return/Dark Horse Rides to the Rescue…

We knew that couldn’t be the end for our heroes. Like I said, you can’t keep a good ship, or its crew, down. Fan outcry at the premature cancellation of the TV series inspired the Serenity (2005) movie. Again, their unwavering love and loyalty inspires Serenity’s continuing adventures.

Leaves on the Wind follows the events of the theatrical release almost a year after the deaths of Wash and Shepherd. We see what’s left of our heroes… battered and bereft, but never broken. Without giving too much away, I will say Mal and the gang are still on the run, with enemies (both old and new) in hot pursuit… with new challenges to face…

Written by Zack Whedon (younger brother of Firefly and Buffy The Vampire Slayer series creator, Joss Whedon), this latest treatment by Dark Horse (there have been others), beautifully illustrated by Dan Dos Santos and Georges Jeanty, definitely looks and feels like the real deal. I could easily see this as an episode of the TV show.

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Andy Says…

I will be honest and say that I wasn’t initially a fan of Firefly. It can take me a while to warm up to a show. I was the same way with the X-Files, Fringe and a few others, but once I find the heart of it, I am forever loyal.

Firefly definitely had, and still has, heart. Unfortunately, like many shows, it takes about a season for a new series to find its feet. Sadly, Firefly was cancelled by the 11th episode of its 14-episode run. Upon second viewing, however, I saw it for the gem it was. Had it been renewed, I believe it would have had a long, successful run.

While the tone of Issue 1 is somewhat somber, lacking some of the wit and verve the Whedon brothers are known for, it is to be expected, given the circumstances. As we may never get to see our beloved crew on screen again, Leaves on the Wind is a must for the die-hard Firefly/Serenity fan. I  look forward to future installments.

Check out Issue Number 1 of Serenity: Leaves on the Wind, at a comic book store near you today.

Firefly the TV series and Serenity the movie are both available on DVD (also for streaming on Netflix.)

 

Categories
Books & Graphic Novels Film & Television Series

Shopping Black Sunday: Video WatchDog Mag Goes Digital

Grab the Current Digital Issue for Free!
Grab the Current Digital Issue for Free!

Update: As of December 23, 2013 Tim and Donna moved their crowd-funding efforts for this endeavor to Indiegogo. Please follow this link for information. Fundraising will continue until February 2, 2014, and there is a chance to get some really nice investor perks for as little as $10.00.

If you ventured out on Black Friday for a deal, shopped on “mom and pop” centric Small Business Saturday, or just can’t wait until Cyber-Monday, here’s my spin – with tongue planted firmly in cheek – for a perfect Black Sunday shopping experience.

Release the Hounds…
Tim and Donna Lucas, the dynamic duo of publishing in the horror, science fiction and fantasy genres, have begun offering the content of their exceptional digest sized print magazine Video Watchdog in digital download format as well. While an issue is “current” (usually for 2 months) the price is FREE!. Afterward a digital back issue will be priced @ $3.99 for a download. Yes, a “crazy business model” as Donna has noted, but one that potentially gets VW into the hands of many more interested parties.

Currently available for reading on Apple mobile products, like iPad, Donna assures Android compatibility is coming shortly. You can also access it on your computer as I did, and reap the full rewards of the new format. Grab issue 175 NOW while it’s $0 dinero. It’s yours forever and will work on multiple platforms as they are introduced at no added cost. The digital issues are loaded with media extras like trailers for the films discussed, audio notes from the editor, and even “live” adverts that can be as much fun as the editorial content.

Reanimator….
Buried in my basment, neatly boxed and numbered, is every issue of Video Watchdog. It’s an amazing wealth of information published over the last 25 years, but essentially dead, or at least dormant, without an indexing system. Trust me.

The good news is that in addition to forthcoming issues, Tim and Donna have launched a Video Watchdog Kickstarter Project in order to fund the digitizing of their entire back catalog. Yes, every issue of VW created in the last 25 years, even those long out of print, will again be available. Most importantly they will be searchable, yielding an incredible amount of film scholarship at your fingertips. There are a number of different packages available based on your contribution and you should hop over there to get a look.

Tim's Titanic Tome on Mario Bava Goes Mobile
Tim’s Titanic Tome on Mario Bava Goes Mobile

Sysiphus Relieved…
If that wasn’t enough, Tim’s titanic tome All the Colors of the Dark, a biography of Mario Bava, the director of the classic Black Sunday, is now also available in digital form. The original printed book sells for as much as $250.00 and requires a wheel barrow to move from room to room. It’s a labor of love and filled with the kind of obsessive detail genre fanatics like myself crave. Now Tim and Donna are offering an unexpurgated, in fact expanded with media, digital version for a meager $29.99. A digital “stocking stuffer” for the horror fan in your house if I ever saw one.

SkeletonPete Says…
If you truly miss the heft of the original Bava Book, which is beautiful in it’s own right and still eminently collectible, I suggest a few fishing weights attached to your iPad could help simulate the experience. Otherwise the digital version is the preferred medium for subway, bus and plane trips.

All current Video Watchdog digital content, including a sample of the Bava book, can be found here. The download requires a one time Video Watchdog account creation, then you are ready to rock. Enjoy!

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Andy Says Film & Television Series

Paul McGann Sees the Light of Day in “Night of the Doctor”

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Editor’s Note:
I’m queuing my 12” 45rpm of The KLF’s “Doctorin’ the Tardis” as Adriana “Andy” Melendez, our resident Sci-Fi Senorita, returns with a piece on a particularly prodigal Timelord. Welcome back to Midgard Andy.

“We’ve always known in our bones that one day he would return here…”

It’s true, friends and fellow Whovians, I’ve been radio silent for some time, but you knew something this epic would force me out of hiding long enough to get this transmission through to all of you, and it is my sincere pleasure. With the 50th Anniversary of Doctor Who just one week away, I wanted to celebrate our favorite Time Lord.  Today, I will start here, with one of my favorites.

Here’s my tribute to the Eighth Doctor, Paul McGann.

 

Triumphant Return…
November 14, 2013Doctor Who fans everywhere rejoiced over the Eighth Doctor’s triumphant return, live and in color, in the special mini-episode Night of the Doctor. For those of you who haven’t had the pleasure of witnessing Paul McGann’s portrayal (and believe Doctor Who started in 2005) check out Doctor Who: The Movie (1996). Yes, there are some groan-worthy moments, but McGann (Empire of the Sun, Queen of the Damned, Alien 3) shines through it all and comes to life as the eighth incarnation of our nearly-immortal, beloved Time Lord, in all his eccentric glory. Sadly, his time with us was cut short, when the Fox back door pilot failed to impress.

However, we never stopped hoping…one day… he would come back. Yes, he should come back! I could barely contain my excitement when I read the news (for once I was grateful for my Facebook feed), though I was truly skeptical. Doctor Who producer Steven Moffat kept denying there would be any Classic Doctors involved in the Anniversary Special. But once verified I almost shouted with glee at my computer screen, however, I managed to restrain myself. I might have drawn odd looks from my coworkers.

From day one McGann embodied the enigmatic alien, capturing the essence of our itinerant, time-traveling Madman in a Box, in his screen test for the Doctor Who movie.

Move Over Lord Byron, Make Way for the Lord of Time…
What is it about the Eighth Doctor that inspires so much love and loyalty after only one televised appearance? Is it his wit, charm, warmth, his Byronesque good looks, or his fondness for humanity? Had we explored his character further, we may have learned more about his origins and “human mother”. So many questions, not enough answers. The mysterious Doctor with No Name continued to intrigue us and left us wanting. We craved those answers. Certainly with the revival of the Sci-Fi cult classic TV series (which first ran from 1963-1989) in 2005, then show-runner Russell T. Davies’ (Queer as Folk, Torchwood) introduction of the Time War provided further food for thought, and left fans wondering what happened during those intervening years.

While other actors had to do more than suffer through a regeneration crisis to win over fans, once taking the reins from the previous actor, McGann’s Doctor endeared himself instantly. With a velvet frock coat, open smile, a lust for life, and childlike enthusiasm, he won our hearts. This was the same moment he won over Dr. Grace Holloway’s (Daphne Ashbrook) heart, just before he planted that historic, if somewhat shocking, kiss (never-before-seen in Doctor Who) on her waiting lips.

As current Doctor Who show-runner, Steven Moffat (Coupling, Sherlock), pointed out in a recent interview, McGann (then only 37 years old) was “was the first of the sexy, romantic Doctors”. This was one element from the 1996 American production that survived when Davies resurrected the Gallifreyan in 2005. The hero has to get the girl (something Davies capitalized on with both the Ninth and Tenth Doctors) and McGann most definitely does get the girl – albeit an initially-reluctant, and somewhat frightened, girl. However, it isn’t long before Grace is running hand-in-hand with the Doctor (of course), riding on the back of motorcycles with him (an homage to Third Doctor, Jon Pertwee).

Doctor-and-Grace-Holloway-TV-movie

A New Lease on Lives – Big Finish to the Rescue…
For the last 17 years loyal Whovians (myself included) have petitioned the BBC to get the Eighth Doctor back on our screens. We’ve begged, pleaded, nay, demanded, his return. We’ve consoled ourselves with the fact that the talented McGann reprised his role for the line of BBC-sanctioned Doctor Who audios from Big Finish.

Nicholas Briggs (voice of the Daleks and Big Finish Producer) came along in 2001 and gave the Eighth Doctor a new home and a new lease on life (as he did with the other Classic Doctors). New radio dramas allowed fans to spend more time with the Eighth Doctor, as he continued to evolve beyond the one TV adventure.

Big Finish also attempted to fill in the gaps between the 1996 movie and 2005 revival, foreshadowing The Time War and the fall of the mighty Time Lords in the Gallifrey series, starring Louise Jameson and Lalla Ward (reprising their roles from the Classic TV series), as well as the fall of the Eighth Doctor in Series One of the Dark Eyes (2012) audios (Series Two is due out February 2014).

Although the line of numerous Doctor Who novels attempted to keep the Doctor alive after the BBC cancelled the Classic TV series in 1989, there was always some debate about whether or not the continuing adventures were in fact canon. There was even some speculation as to how the audios fit into the current television timeline, and therefore, they were considered suspect as well – raising the question of McGann’s legitimacy. Was he the Eighth Doctor after all? Or was he merely a temporal anomaly? Was he part of the royal line or merely a pretender to the throne?

If there was any doubt as to whether the Eighth Doctor was legit, or “not-canon”, even after his on-screen regeneration from incumbent Seventh Doctor, Sylvester McCoy (Radagast the Brown in The Hobbit), the line of Big Finish audio adventures makes it abundantly clear. Never more clear than in the recently released multi-Doctor Anniversary story, The Light at the End, starring all the living Classic Doctors – Tom Baker, Peter Davison, Colin Baker, and Sylvester McCoy.

Now with his return in Night of the Doctor, Number 8 is vindicated for all time. Moffat himself has canonized the Doctor Who Big Finish adventures, including honorable mentions for audio companions Charley, C’rizz, Lucie, Tamsin and Molly (portrayed by India Fisher, Conrad Westmass, Sheridan Smith, Niky Wardley and Ruth Bradley, respectively).

lightattheend

You’ve Got the Look…
Clothes make the man and never more so than when a new Doctor takes the mantle from his predecessor. He must struggle through a painful regeneration crisis, losing bits of his old self along the way, and in stripping away his old persona (and clothing), a new man is born. This includes his own signature wardrobe. His look is an expression of his burgeoning new personality, and each Doctor chooses a costume to complete his transformation.

The Doctor discovers his new identity, likes and dislikes (his 11th incarnation’s love of fish custard, for example), while still retaining the chief characteristics and common threads that bind all the Doctors together – eccentricity, intelligence, humour, child-like wonder, a larger than life persona, and something else… something dark and wounded at his core. This includes the wisdom and madness that comes with living for centuries, possibly millennia. I’m  sure The Doctor is much older than he tells people.

When McGann first appeared, he was the romantic, dashing, Byronesque hero that made girls swoon. However, by Night of the Doctor, he has lived too many lifetimes and it shows.

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The Shape and Shade of Things to Come…
We saw what remained of our war-torn Time Lord – dark and brooding, all battered and weathered leather – when the Ninth Doctor (played by Christopher Eccleston – Malekith in Thor: The Dark World) burst onto our screens in 2005. He is worn and frayed around the edges by the time Rose Tyler (Billie Piper – Diary of a Call Girl) meets him, and more than just a little lonely. Hence his uncharacteristic request to have her join him. Unlike the Fourth Doctor’s (Tom Baker) assertion that he has never chosen his own company (reluctantly allowing stowaways, orphans and even would-be assassins on board), here the Doctor works hard to win Rose over. Of course, she accepts, and the rest is history…

When we join our hero in the prequel to the 2005 series, Night of the Doctor, he’s a changed man, foreshadowing Eccelston’s era and beyond. He has become the Lonely Angel. His look has evolved – the soft, velvet jacket is gone, replaced by a harder look – more leather, no lace. This costume closely resembles the one we see John Hurt (Alien) wearing in the publicity stills for the upcoming Anniversary Special. No longer Time’s Champion (as he is depicted in some of the Seventh Doctor novels) – he’s become a Time Warrior (not to be confused with the 1973 episode of the same name). He’s evolving – becoming someone else entirely, someone to be feared – The War Doctor.

Though to many he will be known as The Oncoming Storm

 

Everything Changes When a Good Man Goes to War…
Once introduced to Chris Eccleston’s traumatized Ninth Doctor, we all knew it had to end badly for our beloved Eight. But then, does it ever end well for our hero? It was inevitable somehow that his death would be especially poignant and tragic, after all, he’s the last casualty of The Great Time War between the Daleks and The Time Lords. Yet, it is still heartbreaking to witness his demise – especially after having him back for such a short time. I admit I haven’t allowed myself time to mourn.

When he crash lands on the planet of Karn and is awoken by the Sisterhood, (whom we have not seen on our screens since 1976) his body is already broken beyond repair. The Sisterhood deserve a special place in the Anniversary Special, as they possibly pre-date the Gallifreyans. Ohila’s (played by veteran actress Claire Higgins – Hellraiser, Downton Abbey, Casualty) assertion that “Time Lord science is elevated here on Karn” certainly provokes more questions. They deserve an extended treatment of their own… but I digress… as I often do.

As the Eighth Doctor lies before the High Priestess dying, he still retains his trademark sarcasm and humor, giving us a glimpse of the man he was. Quips roll easily off his tongue – if he only has four minutes left to live, he might as well get a few good ones in.

But our handsome, once-exuberant, romantic leading man, is now broken, bereft and utterly defeated… and he welcomes death… though not before the Sisterhood of Karn make him an offer he can’t refuse…

“Physician heal thyself…”

paul-mcgann-doctor-who-2013-night-of-the-doctor-2

Andy Says…
Once dubbed the George Lazenby of the Doctor Who universe, Paul McGann has earned his rightful place in the pantheon and I hope and pray, nay, demand, to see more of him as the Eighth Doctor.

Though Night of the Doctor appears to be meant as a one-off (and I hope I’m wrong), as we are likely to get a big dose of the Time War in the upcoming Day of the Doctor, I can only hope the Eighth Doctor gets more on-screen time, whether in flashbacks, or if the BBC ever decides to do a complete treatment of The Time War as a movie.

Certainly McGann is still charming and roguish as ever, and I’m sure I speak for many when I say I would be happy to have him back in the role for a bit longer. Wishful thinking? Perhaps. But then, as my friends all know, this wish did come true…

Until thenthere must be no regretsno tearsno anxieties…

For those of you who missed it, though I can’t imagine how, here’s a look at Paul McGann’s epic return as the Eighth Doctor.

Resources and Links
For more on the Sisterhood of Karn check out The Brain of Morbius, Sisters of the Flame and Vengeance of Morbius.

The Brain of Morbius (BBC Video, 1976)

Sisters of the Flame (Big Finish, 2008)

Vengeance of Morbius (Big Finish, 2008)

Doctor Who: The Movie (BBC Video, 1996)

The Dark Eyes Series (Big Finish, 2012)

The Light at the End (Big Finish, 2013)


 
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Film & Television Series Toys & Collectibles

Cloning Chloe: NECA’s Carrie and KA2 Figures

NECA's new Hit-Girl Figure Gets Chloe's Countenance Just Right
NECA’s new Hit-Girl Figure Gets Chloe’s Countenance Just Right

On a recent subway ride I spied the posters for Kick Ass 2 which jogged my memory about these shots of NECA’s film related figures I could share. These replicas of characters M’Fer (Christopher Mintz-Plasse,) Kick Ass (Aaron Taylor-Johnson,) and Hit Girl (Chloe Grace Moritz) are already available for purchase in anticipation of the film’s August 16th release date. The approximately 7 Inch figures feature more than 20 points of articulation for expansive posing possibilities.

A slew of newly minted ad hoc heroes join the forces in this sequel to the really enjoyable 2008 original. Jim Carrey will portray Colonel Stars and Stripes, whose battering weapon (named Betsy Ross) has also been recreated as a full size prop by the toy company.
Colonel Stars and Stripes Weapon of Choice, Battling "Betsy Ross"
Colonel Stars and Stripes Weapon of Choice, Battling “Betsy Ross”

Carried Away…

Chloe as Carrie: A Beautiful Bloody Mess for your Display Shelf
Chloe as Carrie: A Beautiful Bloody Mess for your Display Shelf

Postponed from spring 2013 to a more appropriate All Hallow’s season debut is the newest spin on Steven King’s telekinetic teen Carrie White with Ms. Moritz as the title character. Pre-orders are available for NECA’s versions of Carrie/Chloe as pristine prom queen and iconic blood drenched terror in both single and double packs.

SkeletonPete Says…
Julianne Moore will portray Carrie’s religiously repressive mother (first depicted by Piper Laurie) and I’m sure she’ll turn in a great performance, but it’s hard to believe that the opportunity to cast Sissy Spacek in the maternal role was missed.

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Film & Television Series

Double Vision: Greetings From Tim Buckley @ Tribeca Film Festival

Quadrophenia: (Top L to R) The real Tim, the real Jeff, Penn Badgley,  Ben Rosenfield
Quadrophenia: (Top L to R) The real Tim, the real Jeff, Penn Badgley, Ben Rosenfield
Greetings From Tim Buckley
Director: Dan Algrant
(Tribeca Film/Focus World)

Select Theatrical release:
May 3 Los Angeles – Laemmle Noho 7
May 3 New York – Village East
May 10 Denver – SIE Film Center
May 17 Columbus – Gateway Film Center
May 17 Toronto – TIFF Bell Lightbox
May 24 Seattle – Northwest Film Forum
May 24 Portland – Hollywood 3

Also available as Pay On-Demand viewing and iTunes purchase.
 
What It Is…
Director Daniel Algrant’s rumination on the late singers Tim & Jeff Buckley is slyly named Greetings From Tim Buckley. I say slyly because it is not only a nod to an album title but an ironic nudge that the protagonist must “meet” his estranged, deceased, father solely through his music and other’s perceptions of that music. At its core the film is the story of a talented young person boxing with an ancestral ghost. It is an imbroglio magnified by Jeff’s uncanny likeness to the images on Tim’s vintage record albums.

The film illuminates the story of Jeff’s participation in a tribute to his father held in Brooklyn at St. Anne’s Church in April of 1991. The Hal Wilner production was essentially Buckley the younger’s coming out party. It’s a single facet of the prism that was Jeff Buckley but a key perspective on the history that drove him. Similar to Dream Brother, David Brown’s dual biography which alternated chapters between father and son, Algrant offers us Pen Badgley’s Jeff and Ben Rosenfield’s Tim in doppelganger juxtapositions that highlight their commonalities, particularly their will-o-the-wisp ways. I call it decisively indecisive, those on the receiving end might just call it self-serving or just plain selfish behavior.

Badgley, embodies the young singer in the same peripheral OMG glimpses that Jeff himself embodied his father. It is very hard in this post video world to portray an entity of recent note. Your audience has a lot of audio-visual information to compare. Badgley gives you his take on “the guy inside,” and it works as mercurial amounts of self-doubt and obstinate pride come through with facility. That is, you don’t see him acting.

As a musician and songwriter myself, I particularly enjoyed the scene in which Frank Wood as Gary Lucas and Badgley’s Jeff cobble together the riffs that would eventually become the song “Grace,” the title tune of Buckley’s only non-posthumous album. An unintended slight comes when guitarist Lucas compliments Jeff on his Qawwali style vocal technique then suggests he use it to embellish one of is father’s tunes at the tribute. The scene is a great illustration of how – for Jeff – Tim’s legend is both a stepping stone and pitfall for his own aspirations.

Badgley and Poots Meld Minds as Jeff and Allie (Photo Courtesy of Tribeca Films)
Badgley and Poots Meld Minds as Jeff and Allie (Photo Courtesy of Tribeca Films)

Co-Star Imogen Poots plays Allie the fictionalized foil who acts as love interest, play friend, muse and talented competitor. The center of the movie finds Jeff and Allie cavorting around town where they end up flipping through LP’s in a used record shop. When Allie flashes Jeff the cover of one of his father’s albums, Jeff counters with a Led Zeppelin LP and launches into a chipmunked pastiche of Zep tunes that scares the crap out of the staff. It’s a performance that is worth the price of admission. If you’ve never heard the real Jeff render “’Kashmir’ at 78 RPM” you owe it to yourself to seek it out. There’s a short version on the Live at L’Olympia concert disc released in 2001 by Columbia/Sony Australia.

SkeletonPete Says…
When Greetings From Tim Buckley succeeds or fails it is for the same reason, its “one – piece – of – the – puzzle” scope. While Jeff fans know what eventually transpired during the rest of his short lifetime, the film leaves casual viewers in the lurch wondering “why should I care?” Therefore Jeff devotees may want to own this film while newbies will have to hit Wikipedia for the complete 411 – or just buy Grace to be enlightened.

Though the interpersonal content of the screenplay often allows the audience to glean some pointers to future developments in Jeff’s life, its ending – the concert reenactment – ultimately falls flat. Why? Because the performances do not convey catharsis and because as an “origin” story there can be none of Jeff’s own spectacular output. His troubadouring at clubs like Siné would ultimately blossom into the creation of Grace several years later.

Turnabout being fair play, I’d say that 20 years since the release of Grace, few would know who Tim Buckley was if not for his famous son.

Klose to the Edge…
In addition to Badgley, singer/songwriter Jann Klose is featured “in the mix” playing and vocalizing on Tim Buckley’s “Pleasant Street,” “Song For Janie, and “Once I Was.” I’ve had the pleasure of seeing Jann’s excellent group and photographing the gig.

This season he will be previewing songs from his new album Mosaic. The album will be released on CD on June 7th, with iTunes download following later in the month. In addition to Klose’s original songs, the album closes with his a cappella version of Tim Buckley’s “Song To The Siren” and in an art imitates art ouroboros he has recently been writing with aforementioned Jeff Buckley collaborator Gary Lucas.

I highly reccommend you make a point of hearing him perform.