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Tag: george harrison
It Was 50 Years Ago Today, Literally…
I’m writing this at 11:12 AM on Sunday February 9, 2014. 50 years ago, at this moment, America at large was mostly unaware of a group of four long haired lads from someplace in England called Liverpool, though a persistent gnat-like buzz about something called The Beatles was infiltrating their consciousness via a building media feeding frenzy.
That evening, introduced on The Ed Sullivan Show, the Sunday night staple of family television viewing, 73 million people tuned in and everything changed.

Tell Me What You See…
As a February 1964-2014 celebration The Morrison Hotel Gallery has mounted a 30 image collection, curated by Julian Lennon, mostly focused the events of the Fab’s American arrival, first US concerts, and Sullivan show appearances.
Guests crowded the gallery’s opening night event, discussed their favorite images and the influence that The Beatles have had on their lives, to a background of the Sullivan show performances.
Gallery owner Peter Blachley greeted Pattie Boyd, the former Mrs. George Harrison, who has several images in the exhibition. Boyd was interviewed by Japan Broadcasting Company NHK. CBS’s Anthony Mason, who will host an online “warm-up” for tonight’s commemorative broadcast, was also in attendance. (Editor’s Note – 02.10.14: An overview of that event, featuring Pattie Boyd, Peter Asher, Andrew Loog Oldham, Neil Innes, Felix Calvaliere and many others can be found here)

There are plenty of iconic images, like the Fabs’ emerging from the airplane in New York City to screaming fans, along with a nice selection of shots new to even those of us who have been following along since 1964. Of interest to photographers will be Robert Whitaker’s proof sheet from the Sullivan show appearance.
Along with the familiar on-stage and staged images we’re treated to a number of peeks at the group behind the scenes. These fly-on-the-wall moments, in the back of a limo or relaxing in a hotel room, nicely balance with the running, jumping, standing still PR confections. They are like a look inside the eye of a publicity hurricane.

Punch Brothers…
Charles Trainor’s documentation of “the boys” Goon Show style encounter with Muhammed Ali (then Cassius Clay) still stands as a brilliant, though last minute, press coup that in its time seemed to legitimize the careers of each burgeoning star.
SkeletonPete Says…
The Morrison Hotel Gallery exhibit includes the work of the aforementioned Trainor, Whitaker and Boyd, along with images by Curt Gunther, Terry O’Neill and Ken Regan. Limited Edition prints are available for purchase in a number of sizes. The exhibition runs through February at the Gallery’s Loft space, 124 Prince Street, 2nd floor, SOHO, NYC.
I was 9 years old when that first Sullivan Show appearance was broadcast. As with so many others, The Beatles became part of my personal timeline and their artistic growth always of interest, but nothing ever really matched the sheer exuberance of that experience.
As someone who in the past has surreptitiously used February 9, 1964 as the Facebook birthdate for my own band, it was great to meet so many people who have only experienced The Beatles in historical retrospect but are appreciative of that performance which turned into a cultural watershed.
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Miles of Styles…
Last year the focus was on the reverently researched and replicated George Harrison DuoJet model. This year the show highlighted the breadth of styles played by Gretsch musicians. A full stage was erected in the midst of Street Sounds’ well stocked shelves and the show was broadcast live worldwide via the internet. In addition to the musical acts Ms. Kim Falcon, Gretsch’s very own pin-up gal, helped choose the winners of two beautiful guitars and signed copies of her newest poster.
Like a revival meeting preaching the soul of Rock n Roll, Fred and Joe introduced talented players from Austin, Nashville, Canada, another “outer-borough”, and just around the corner (literally.) The audience got a dose of fiery rockabilly from The Octanes, dazzling fingerpicking from Paul Pigat with his band Cousin Harley and some sparkling country harmonies from sisters Nik and Sam. The next generation of Gretsch players was represented by local gang The Foxy Studs who opened the afternoon with the iconic licks of The Beatles’ “Daytripper.” Performances were framed by fun 1950’s news clips decrying the awful effect of “the beat, the beat, the beat” on the youth of America. Oops, too late.
Headliners (and personal favorites) Fountains of Wayne powered up the proceedings with their signature style of bright pop melodies and witty word play. I’d call ‘em The Kinks of Queens. I was happy to hear them do “Red Dragon Tattoo” from the super Utopia Parkway album. Can’t get better than a tune that references the N Train, Coney Island, Basil Hayden Bourbon, Easy Rider, .38 Special and William Blake’s titular iconic engraving. It is that Red Dragon, right – or am I projecting? The compact set included crowd pleaser “Stacy’s Mom”, FOW’s 2003 radio hit, which had everyone singing along to its undeniable chorus. They clearly had fun extending their final tune “Radiation Vibe” with a medley of bits and pieces of everything from Frampton to Foreigner.
OK-Go’s Damien Kulash signed autographs and chatted with fans while his band’s always unique videos played on the big screen. OK-Go used 300 Gretsch Electromatic CVT III guitars in the making of their wacked-out promo for “Needing/Getting.” Many of those actual instruments, battered but collectible and authenticated, are available via Street Sounds while they last. Check out the video and the story behind it here.
Have It Your Way…
Master Luthier Stephen Stern gave attendees a technical tour of the company’s wares. He detailed aspects of fit, finish and hardware and pointed out how the Gretsch Custom Shop can make the instrument of your dreams. In turn Stern got an up close and personal look at some vintage models brought out by local collectors.
A very special surprise this year was a visit from Mr. Vincent Ottaviano. “Vinnie” was a driver for the Gretsch company in the heyday of its borough tenure and spent part of the afternoon reminiscing with Mr. Gretsch. He delivered Gretsch products; guitars, accordians and drum kits from the Williamsburg factory to music stores and distributors. In 1957 on one such trip to the legendary Manny’s music store on 48th street in Manhattan Vinnie delivered Gretsch Duojet Serial Number 21179. Sold to a merchant seaman, the guitar eventually found its way to Liverpool England and into the hands of teenage rocker George Harrison. You know the rest. It’s the kind of “butterfly effect” story that makes you realize how a simple everyday task can go on to change the world. You can read all the details here.
SkeletonPete Says… Eat To The Beat
Once again Gretsch and Street Sounds offered up an amazing get together.As if all the musical goodies were not enough to sate appetites, abundant trays of delicious culinary creations from the folks at Artisan Food Valley (conveniently located right next door to Street Sounds) were passed through the crowd. The tempting sandwiches of grilled vegetables, fresh mozzarella and sausages put the shoppe on my short list of must explore places. It was also great to see the always jubilant Joe Carducci beaming at the chance to savor a classic Brooklyn chocolate-covered cannoli.
A special thank you to Ken Pierce, of PiercingMetal.Com who graciously got me a singed Fountains of Wayne set-list, something I’m much too shy to attempt myself. His videos of the afternoon’s performances can be viewed here.
Saturday June 18, 2011
While many weathered the heat to get gander at aquatically adorned Mermaid Parade revelers, the real Brooklyn VIP Party was going down at Bay Ridge’s Street Sounds Music Store, in the shadow of the Verrazano Bridge as we like to say. It was a special day and those in the know packed Rocky Sciano’s family run business to take in the beautiful and voluptuous curves of those American designed classics – Gretsch Guitars. You may know Gretsch instruments as the Rock-A-Billy wreckers painted up in delicious Hot Rod colors, or maybe the country picker’s choice in the hands of Chet Atkins, or maybe the hell’s bells ringing red double cutaway Jet Firebird of AC/DC’s Malcolm Young . “Who’s Next”? “Quadrophenia”? – all Pete Townshend’s 6120, gifted to him by Joe Walsh. Django – Gretsch. Eddie Cochran – Gretsch. Got the point?
Homecoming and History
The Gretsch family company started its life in Brooklyn NYC in 1883 making banjos and drums for marching bands. They initiated their historic line of guitars in 1954. For this special event Fred Gretsch III and Product Specialist Joe Carducci paid a visit to original home turf bringing along California calendar girl Kim Falcon and top-notch picker Paul Pigat, AKA Cousin Harley. Of course the afternoon was all about the gear; the star item being the prototype of Gretsch’s 1957 Duo Jet George Harrison replica, reproduced down to the rust on the Bigsby vibrato spring. With only 60 of these puppies being produced worldwide, this Harrison family authorized gem was a thrill to ogle slowly revolving in its display case. Along with the Harrison collectors item Street Sounds showed off walls hung with beautiful examples of the expansive Gretsch line and District Product Manager David Waters was on hand throughout the afternoon to offer attendees help and information on specific models.
As part of the festivities, Mssrs. Gretsch and Carducci presented “The Fred and Joe Show” highlighting the company’s history and key artists. It was augmented to include information about the convoluted journey of George’s Duo Jet. It’s a great story, you can read it here. Raffle tickets were chosen by Ms. Falcon (with a little help from Rocky’s mom). Prizes included heaps of Gretsch merch like T-shirts, playing cards, Zippo Lighters and bolo ties. In addition, two lucky participants won killer Gretsch guitars. Paul Pigat played some smokin’ rock-a-billy, a smooth take on Hoagy Carmichael’s “Stardust”, and taught a compact lesson on the art of Travis picking. Up and coming group Foxy Studs (Joe on guitar, Christina on drums, Tammie singing and Elia on Bass) gave the audience a look at and listen to the future of Gretsch guitar and drum players. After the raffles and presentation Fred and Kim spent time meeting fans and signing autographs on calendars, posters and even a few guitars.
Whoa! Haven’t seen you since the Fort Hamilton High School “Battle of the Bands” in 1972
The event was like old home week for local musicians and brought out players young and umm…seasoned from the surrounding neighborhoods. It is just so cool that so many of us have kept the faith and kept playing. There were some Prodigal Children, a Rockingham or two, John “The Cat” Gatto from – genuflect now – The Good Rats, even a couple of members of Dance Half Done. Modern Drummer editor Billy Amendola was on hand as was Piercing Metal’s main mensch Ken Pierce.
The special day continued into evening with a walking tour at the original factory site – 60 Broadway in Williamsburg. Apparently, the pioneering Gretsch family beat the hipster invasion to the punch by over 100 years!
P.S.
The Frosted Pink Cupcake Lollipops were mind blowing! – no that’s not a psychedelic tribute band.
The photos below tell the story of a wonderful time had by all. Click any image to launch the gallery. (All photos copyright 2011, Peter Parrella)