Archives

Posts Tagged ‘dig deeper’

Sunny Boys: Dom Flemons & Eli Reed Team Up @ Greenwich House Event

Eli Reed and Dom Flemons Shake 'em on Down at Greenwich House Café au Go Go Revisited.

Eli Reed and Dom Flemons Shake ’em on Down at Greenwich House Café au Go Go Revisited.

Greenwich House Music School rolled out the carpet for a post Mardi Gras jamboree that had attendees clapping and testifying like an old time revival meeting. The show was the second in a two month long homage to the influential 1960’s Greenwich Village club The Café au Go Go. Instead of a full second line parade the instigators of this roof raising evening were two conservators of American roots music Dom Flemons and Eli “Paperboy” Reed. Along with their talents for performing in a variety of styles and on a variety of instruments, the two share a collector’s affection for the obscure gems discovered in dusty stacks of record crates. These root cellar relics ultimately inform their aesthetic as well as their repertoire.

Although performing as a duo for the first time, the two had an “old soul” symbiosis, choosing tunes that suited them both extremely well. The performances were loose and joyful, clearly a labor of love.

Utilizing the intimate setting of Greenwich House’s second floor theater to full advantage – literally like having someone play your living room – each took turns explaining the unique history of a song or the artist who recorded it. Flemons demonstrated the term hokum with the double entendre riddled tune “Keep Your Yes Ma’am Clean,” while Reed related surprise at finding a “5” Royales song had been covered by a classic bluesman. They agreed on most “likes,” a mutual confusion over just what lyrics go with which Jimmy Rodgers “Blue Yodel,” and admitted only a good natured divergence on preferring “Sonny Boy” Williamson I (John Lee Curtis) or II (Rice Miller.)

Over the course of the evening they juggled instruments from guitars and banjo to piano. There were dueling harmonicas (“harps” to bluesmen) featured on “Polly Put the Kettle On” and Dom pulled out the “peculiar” castanet-like “bones,” panpipe styled “quill,” and coaxed bass notes from an old cider jug to augment the sound. The set ended with “Do Lord Remember Me,” an a capella call and response that brought the audience to their feet to clap and sing along.

Eli "Paperboy" Reed Proclaims the Blues Gospel.

Eli “Paperboy” Reed Proclaims the Blues Gospel.

“Paperboy” is preparing for the release of a new album of original material and a European tour to support it. Check his official website for dates and details. When not promoting his own music he has been a regular fixture at Brooklyn’s Dig Deeper events. Along with unearthing the best Northern Soul dance tunes, the Dig Deeper promoters have routinely brought the artists who recorded them to the stage, often for the first time in decades. After the much lamented closing of Park Slope’s Southpaw club, the events have found a solid following at Littlefield on Degraw Street below Fourth Avenue.
Dom Flemons Pickin' Some Papa Charlie Jackson.

Dom Flemons Pickin’ Some Papa Charlie Jackson.

Dom Flemons, formerly of The Carolina Chocolate Drops and currently on solo tour through August, will be back in NYC in April for the Brooklyn Folk Festival at The Bell House. Although not in his arsenal of instruments that night Flemons related purchasing a large 6 string banjo at Brooklyn’s RetroFret guitar shop, similar to the one played by Papa Charlie Jackson (author of “Salty Dog” and “Spoonful Blues”) whose “Baby Please Loan Me Your Heart” the duo included in the set.

Flemons’ current album is American Songster. It’s loose field-recorded vibe and detailed annotation is about as close to a modern day Folkways record as you’re likely to find. It’s available on the Music Maker Series label, as are the current recordings of other Chocolate Drops cohorts, Rhiannon Giddens and Leyla McCalla.

The Music Maker Relief Foundation is a non-profit organization dedicated to helping the “true pioneers and forgotten heroes of Southern music traditions.” See their website for what you can do to help.
CaféAuGoGo_030614_08SkeletonPete Says…
In retrospect the event served not only as a wonderful night of music and unique pairing of two kindred souls but as a primer on the cross pollination of blues, folk, country, soul and balladry. Kind of like a live version of Barney Hoskyns’ book Say It One Time for the Broken Hearted. I hope Dom and Eli can find the right time in their schedules to do this again soon.

The Café au Go Go Revisited Series, conceived by Greenwich House Music School Director Rachel Black and compiled/curated by Jennie Wasserman, continues on Thursdays through April 24, 2014. Check the website for upcoming artists and ticket purchase information.

Lasting Impressions: Soul History @ Southpaw 02.02.12

Brooklyn’s Southpaw music venue offered city soul fans a corker of a send-off as they prepare to close the doors for good later this season. The club has been the site of many great gigs over its ten year run presenting talented bands and allowing them to build a grassroots audience. Southpaw has also been the home of monthly Dig Deeper parties which are noted for bringing Northern Soul collectors’ favorite artists out of retirement and to New York City for the first time.

They’re A Winner
The history of The Impressions is a timeline that spans almost the entire course of rock & soul music. As most of you already know the group counted both Jerry Butler and Curtis Mayfield within their ranks over the last half century. They are blessed to have founder members Fred Cash and Sam Gooden still onstage and sounding great. Their long time compatriot Reggie Torian leads the tandem vocals that have always been the group’s trademark. It would be quite a task to calculate the amount of time these gentlemen have sung together and the dues they have paid but the outcome is a heavenly harmony that had the crowd enraptured. Pulling from a repertoire that includes doo-wop, gospel, civil rights anthems and “blaxploitation” soundtracks the trio gave a guided tour of how their songs have become entwined in American culture. “It’s Alright”, “Gypsy Woman”, “Keep On Pushing”, “Superfly”, “People Get Ready”, “Choice of Colors”, “Move On Up”, “We’re A Winner” – you get the picture. I think the phrase “achingly beautiful” could have been coined to describe “I’m So Proud”.

A Little Dap’ll Do Ya
Guitarist Binky Griptite, whose hosting and toasting introductions are well known to the fans of Sharon Jones, led a loose amalgamation of Daptone Records house band The Dap-Kings (this night calling themselves The Dee-Kays) acting both as warm-up and back-up band. With an expanded horn and percussion section the 10 piece DeeKays offered the Impressions the quality musical bedrock they deserve to layer their amazing vocals over. It was clear that they were all thrilled to be working together; an impressive collaboration (awful pun intended.) The evening opened with a duo set that juxtaposed singer Inyang Bassey’s gutsy vocals against Binky’s acoustic guitar accompaniment. Their goose-pimple enducing rendition of Screamin’ Jay Hawkins’ “I Put A Spell On You” was a particular treat.

It was a stellar night with a great showing of Brooklyn neo-soul talent on-stage as well as in the audience. I spied Ms. Meah Pace, some of the Sweet Divines gang, and at least one Nouvella. Eli “Paperboy” Reed was joined by Dig Deeper’s Mr. Robinson and Soulpower’s DJ Pari at the turntables for a tag team of 45rpm spins that kept everyone in a dancing mood. It’s great to see a musical community that supports each other’s projects.

To say a fine time was had by all would be an understatement. It was a fittingly upbeat bye-bye to Southpaw’s always well produced and great sounding shows. They will be missed.

Meah Pace @ Southpaw, 1.28.12

Meah Pace and her band The Map Legends gave the audience at Brooklyn’s Southpaw a special treat during their January 28th opening set, with a killer performance of “I Would Rather Go Blind” paying tribute to the recently deceased Ms. Etta James. Meah delivered the classic blues/soul tune, which has been covered by everyone from Christine McVie (nee Perfect) to Beyonce, in spectacular torchy style. She and the band also backed headliner Eula Cooper, who returned to New York for the first time since 2008 to sing her collector’s soul sides, including the funky shuffle “Mr. Henry”.


Unfortunately the Southpaw venue will be closing up shop by springtime, with the owners focusing on their newer projects in Brooklyn’s Williamsburg and Greenpoint areas. The full story is here. If you’re looking to get a dose of soul before Southpaw shutters, The Impressions – backed by members of the Dap-Kings – will be there on Thursday Feb 2, 2012.

Brooklyn soul fans will be happy to know that the monthly Dig Deeper dance parties will move to The Bell House, which served as home for the 2010 Brooklyn Soul Fest.

Willie West “Fairchild” @ Southpaw Feb 26, 2011

Willie West treated the audience to a reprise of his turntable fave “Fairchild” @ Brooklyn’s Southpaw. The February 26, 2011 Dig Deeper gig marked his first ever appearance in New York City.

For detailed information on Willie’s career and a heapin’ helping of enlightenment on New Orleans music a visit to Dan Phillips’ Home of the Groove blog is a must.

Brooklyn Soul Festival 2010 Finale

My last couple of videos from Brooklyn Soul Festival 2. Renaldo Domino croons his “Not Too Cool To Cry” (Twinight Records 1970) with The Sweet Divines and is joined on stage by Betty Harris, Harvey Scales & Eli “Paperboy” Reed for a lovely rendition of Curtis Mayfield’s “People Get Ready”.