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There’s a New Sheriff in Magic Town: Angel & Faith Season 10 from Dark Horse Comics

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Ever since Barnabas Collins bared his fangs for the 1960’s Gothic daytime soap opera, Dark Shadows, we’ve been enamored with repentant vampires. The idea of the ultimate bad-boy-turned-good by the love of a woman, captured our dark hearts. Like Barnabas, the path to true love never did run smooth for fellow repentant vampire Angel (created by Executive Producer Joss Whedon), and of course, there’s a twist to that epic love story as well.

 

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What it Was…

For those who are unfamiliar with the tale, Angel is a vampire cursed with a soul (in the Buffyverse vampires do not have souls, as a rule, with only two exceptions) by a group of vengeance-seeking gypsies, for the atrocities he has committed.  Now, feeling the full weight of the devastation he has wrought, Angel (once the worst of his vampire-kind – known then as Angelus / Liam – when he was human – who wasn’t that much better), seeks redemption for his sins.

When we first meet Angel (played by David Boreanaz – Bones) in the TV series Buffy the Vampire Slayer, he is watching over Buffy (Sarah Michelle Gellar). OK, he comes off like a creepy stalker whose motives are unclear at first, but he means well.

Eventually, he joins Buffy and her friends in the fight against evil. Unfortunately, Angel makes the mistake of falling in love with the young slayer. In a moment of unbridled passion, Angel loses his soul again (part of the gypsy curse). A moment of true happiness turns Angel back into a soulless, heartless, mass-murdering monster.

Once his soul is restored, Angel knows he can’t stay with Buffy, as he can’t risk the demon within returning to destroy her and all those around her. The star-crossed lovers must part. Heartbroken, Angel removes himself from Buffy’s life and relocates to Los Angeles (the City of Angels – where else?) where he sets up Angel Investigations – a detective agency with a mission to protect the weak and the helpless.

Along the way, Angel meets Doyle (played by the late Glenn Quinn – Roseanne), a half-human half-Brachen demon, whose painful psychic visions aid Angel on his mission. By chance he also re-meets friend and former mean girl Cordelia Chase (Charisma Carpenter – Veronica Mars), trying to make it big in Hollywood as an actress.

Later, Angel is joined by disgraced Watcher Wesley Wyndam-Pryce (Alexis Denishof – How I Met Your MotherGrimm), former-gang-member-turned-slayer Charles Gunn (J. August Richards – Arrow, Agents of S.H.I.E.L.D.), super science geek Winifred ‘Fred’ Burkle (Amy Acker – Dollhouse, Person of Interest), and the green, karaoke-loving, telepathic demon Lorne (played by the late Andy Hallett).

When the TV series ended in 2004 (in the finale Not Fade Away), we were left with the cliffhanger to end all cliffhangers. Angel, along with fellow vamp Spike (James Marsters), Gunn and Illyria (the Demon taking up residence in Fred’s body), were left with Hell literally raining down upon them — a parting gift from the Senior Partners from the evil law firm of Wolfram and Hart (The Wolf, The Ram and The Heart).

With an army of demons bearing down upon them,  a dragon flying overhead, the loss of their friend, Wesley, and Gunn wounded, our four heroes stand, seriously outnumbered. The last thing we see is Angel, leading the charge. That image burned into our retinas. We were left staring blankly at the screen in disbelief. This couldn’t be the end, could it? I hadn’t been this upset by a series finale since the last episode of Blake’s 7… but I digress… as I often do. Sadly, we never saw Angel and company grace our screens again.

 

Angel and Faith Season 10 #1, ULTRA Variant cover by Rebekah Isaacs

Angel and Faith Season 10 #1, ULTRA Variant cover by Rebekah Isaacs

Our Dark Knight Returns…

Joss Whedon resurrected Angel in 2007 (then with comics from IDW Publishing) picking up where the TV finale left off.  For the last two seasons, Joss and Dark Horse Comics have teamed Angel up with Faith the Vampire Slayer (played by Eliza Dushku in the series) to continue their adventures. Faith has come back from the brink herself, and in her own way, is also seeking redemption for her sins. Both lonely souls bond, becoming allies and friends.

Season 9 of Angel & Faith saw the return of Rupert Giles, Buffy’s Watcher (played in the series by Anthony Stewart Head). Angel had killed Giles while under the influence of magic in Season 8 of Buffy the Vampire Slayer. However, there was an unforeseen consequence to resurrecting our beloved Giles (formerly a middle-aged Englishman). When he returns, he comes back as a young, almost Harry Potteresque pre-teen, capable of wielding magic himself. As we have learned, magic can be unpredictable and dangerous at times. Welcoming Giles back to the world of the living comes with a steep price. Part of London is sacrificed in order to do it and now part of the city is flooded with magic and overrun with supernatural beings.

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Here Comes the Law…

When we return, we find our brooding hero, Angel, attempting to deal with the fallout from the previous season, in the section of London known as Magic Town.  As you can imagine, there’s plenty of brooding and self-recrimination that comes with that territory. Meanwhile, we transition over to Faith, who has joined Buffy and the Scoobies in Santa Rosita to help fight the dreaded “zompires” (zombie vampires), as we saw in the Season 10 opener of Buffy. Faith also delivers her comrades the greatest of all gifts in the form of a youthful Giles, though it pains her greatly to do so as she watches the joyful reunion from the distance, always the outsider.

For Season 10 of Angel & Faith, Victor Gischler and Will Conrad take the helm from the creative team of Christos Gage and Rebekah Isaacs (who have moved over to the main Buffy comic) and with them they bring an intense, dark flavor that suits this series quite well.

Far less colorful and light-hearted in tone than Buffy, Gischler and Conrad match the look and feel of the Angel TV series. Will Conrad’s artwork captures the likenesses of the actors from the show (especially Boreanaz and Dushku) beautifully, and that alone had me hooked.  The story itself is fast-paced, with plenty of tension and drama. Though I found the transitions between Angel’s scenes and Faith’s a bit jarring, I blew through the issue quickly, and found myself disappointed when it was over so soon.

 

Andy Says…

The skilled team of Gischler and Conrad hit the opening issue out of the ballpark and left me wanting more. As a fan of the series, what more can you ask for? Angel & Faith Season 10 Issue 1 from Dark Horse Comics is out today at a comic book store near you.

Vlad, Not Vlad: Will the Real Dracula Please Stand Up

“Dracula, The Vampire and the Voivode”
Documentary DVD, Region 0, 84 minutes
Release Date: October 4, 2011

At this moment in time, over one hundred years after its first publication, “Dracula” is so ingrained in the cultural conscious that it seems hard to imagine a time when the tale of the blood quaffing Count did not exist. In its seven year gestation the story began life as a stage play with the choice role intended for the actor Henry Irving whom author Abraham (Bram) Stoker revered and managed. Bram was crestfallen when Irving passed on mounting the play but completed his vision as a novel which has never been out of print since. The eventual adaption of the book via stage and film versions has since made Count Dracula a familiar character to nearly everyone on the planet.

Totally Stoked
“Dracula, The Vampire and the Voivode”, a documentary DVD from Virgil Films and Walking Shadows, is an enjoyable look at both the mythological entity of Stoker’s imagination and the actual historical figure, Vlad Tepes, who has become intwined with it. Part biography and part travelogue it serves as an excellent visual companion to Dracula overviews like David J Skal’s “Hollywood Gothic” and Florescu & McNally’s “In Search of Dracula”, though it stands to refute some of the assumptions of the latter. The film was written and directed by Michael Bayley Hughes.

Viewers are taken on a scenic jaunt through the areas of the world intrinsically tied to the lives of author Stoker and Voivode (Prince) Vlad, as well as key sights described in the book including the 199 church steps in Whitby, England and the town of Bistrita where Jonathan Harker spends the night before his trip to Castle Dracula. We also see The Stoker’s residence at 27 Cheyne Walk in London’s Chelsea section (neighborhood of contemporary author Oscar Wilde and one hundred years later Rolling Stone Keith Richards), and Bram’s family home in Dublin Ireland where he spent a sickly childhood.

Throughout the film members of worldwide Stoker and Dracula societies lend their scholarship and insights to the settings. I was fascinated to hear commentator Tina Rath suggest that Pre-Raphaelite Artist Dante Gabriel Rossetti’s scandalous exhumation of his wife Lizzie (nee Siddal), in order to retrieve a book of poems he buried with her, likely became tied to Lucy Westenra’s exhumation/staking, as well as a plot point in another of Stoker’s stories, “The Secret of the Growing Gold”. Transylvanian Society of Dracula President Nicolae Paduraru describes the finer points of the folkloric stregoi, a ghostly “negative emanation from the grave”, versus the physical figure of the vampire and their cultural lines of demarcation.

From the Land Beyond, Beyond…
The film also candidly deals with the dichotomy of historical veracity versus bottom line tourism necessitated in post communist Transylvania, the “land beyond the forest”. In actuality, Stoker never visited that part of the world but instead relied heavily on travel tomes by authors like Emily Gerard, the wife of a Romanian army officer who spent two years there, for his information. Combining a freewheeling imagination with his civil service skills for cataloging and description, Stoker’s interpolation of folklore, sense of place, and creative license has led to many fact versus fiction conundrums, which the documentary attempts to untangle. As we see commerce often trumps accuracy. The building of a tourist placebo, the Stoker inspired Castle Dracula hotel, at the Borgo Pass in Romania is just one example of the life imitating art circumstances that have followed in the story’s path.

What’s Missing…
On the down side, the DVD is without marked scene selections, so navigating for specific repeat play is daunting and it seems a shame its vistas are presented in 4:3 aspect ratio rather than widescreen. The “bonus slide show” is superfluous at best, giving an unfortunate “sell-through” feel to what is otherwise an excellent product.

SkeletonPete Says…
Ah, Fall has arrived and it was fun to get the witching season off to such a great start. Minus the few missteps mentioned above, I wholeheartedly enjoyed this dual biography, especially the description of Stoker’s writing process and the “where ideas came from” points of view. In fact it led me to purchase a copy of “Bram Stoker’s Notes for Dracula” as transcribed and annotated by Robert Eighteen-Bisang & Elizabeth Miller. I can recommend the film for both its historical depth and entertainment value as an addition to the video libraries of vampire aficionados and novices alike.